An updated edition of the classic, with bright new illustrations and a cheerier take on Heather’s encounter with different types of families.
A 25th anniversary edition of Lesléa Newman’s children’s book 
The most obvious changes in the new edition are the full-color, contemporary illustrations by Laura Cornell that replace the originals of Diana Souza. Newman said that she loves how the new pictures enhance the text, showing that “Heather’s mothers adore her.” For example, she said, it’s obvious Heather alone picked out her mismatched first-day-of-school outfit, and “That says to me her parents are really allowing her to be herself.” Heather also “looks really confident” going into her classroom on the first day of school, “and I think that reflects good parenting.”
Heather’s moms now also, subtly, sport matching rings. To my mind, however, the easy-to-miss rings will have less impact on young readers than the shift in Heather’s attitude. The original text had her start to cry when she thinks about whether she is the only child at school without a daddy. That always made me hesitate to share Heather with my son—I feared it would give him the idea that not having a daddy was something to cry about. In the revised story, however, Heather merely wonders if she’s the only one without a daddy—without crying—before the teacher takes the whole class on a joyous exploration of their many-structured and otherwise diverse families.
Newman explained the change as part of her becoming ”more subtle and nuanced” as a writer. Heather’s wondering “is much more open to interpretation on the part of the reader,” who “can insert him or herself into the story and have his or her own reaction along with Heather.” It also reflects, to my mind, a climate of growing acceptance, when having a different family structure may be less likely to cause tears.
To understand how far Heather has come, it helps to look at her origins. Heather was not, in fact, the first picture book to show same-sex parents. That was Jane Severance’s 1979 When Megan Went Away, about a girl dealing with her mother’s partner moving out. Heather took off in a way Severance’s didn’t, however—perhaps because it showed a happy, intact two-mom family.
Newman got the idea for Heather when a lesbian mother stopped her on the street and asked for a book that reflected her family. After over 50 publishers refused to take it, Newman and her friend Tzivia Gover, a lesbian mom with a desktop publishing company, decided to try it themselves. They gathered contributions $10 at a time—“before Kickstarter, actually licking envelopes”—and co-published Heather in 1989. “I really wasn’t thinking much past my local community, let alone the national or international community at that point,” Newman said.
The next year, LGBTQ publisher Alyson Publications bought the rights to Heather when it launched a line of children’s books.
For several years, letters trickled in to Newman from both lesbian and straight parents saying how much their children liked Heather. Then, in 1992, controversy erupted. Copies of Heather and another Alyson picture book, Daddy’s Roommate, were used as examples of “the militant homosexual agenda” by an Oregon group campaigning to allow anti-gay discrimination. In New York City, both books were part of a proposed “Children of the Rainbow Curriculum” of suggested books to teach respect for all types of families, but were removed in the face of opposition.
Around the country, Heather faced challenges in schools and public libraries from those who wanted it removed or restricted, and earned a top-10 spot on the American Library Association’s Most Frequently Challenged Books list for 1990-99. Most librarians supported it, though, Newman noted, and it mostly stayed on shelves.
Slowly, change happened, both in society and in the publishing industry. In 2008, two decades after scrounging for money to publish Heather, she was asked by an editor at Tricycle Press to write two board books about same-sex-headed families. She marveled, ”I was actually being asked to write these books for kids younger than the Heather set, and being paid to do so.” Tricycle published them as Mommy, Mama, and Me and Daddy, Papa, and Me, along with her picture book Donovan’s Big Day, about a boy on his moms’ wedding day. Tricycle was since bought by industry giant Random House, which still publishes all three books. “That’s a big shift,” she said.
Now, the 25th anniversary edition of Heather is being published by Candlewick Press, an independent publisher of mainstream children’s classics like Sam McBratney’s Guess How Much I Love You.
Despite this progress, however, Newman noted there are still only a handful of LGBTQ-inclusive picture books each year. One reason, she said, is that color art makes picture books expensive to produce, and publishers may fear that only the type of family featured in a book will buy it—which Newman does not think is true.
In contrast, she says her own book is not only for kids with two moms “but for kids who have friends who have two moms, for kids who have classmates who have two moms, or kids who don’t even know other kids who have two moms, just so that they are aware that families come in all different variations.”
While she believes, “We still have a lot more work to do,” she adds, “I hope my humble little book is helping educate kids to appreciate, respect, and celebrate difference.”
