A maiden and a princess fall in love with the support of their families in this empowering fairy tale.
This is the third book to come out of the partnership between LGBTQ media advocacy organization GLAAD and Bonnier Publishing USA, following Haack’s Prince & Knight
I love that the royal family members all are Black, and their court is broadly multiracial. That’s a refreshing change from many a U.S.-published fairy tale. The maiden has lighter skin than the princess, but isn’t necessarily White. The costumes take much from the European Middle Ages and Renaissance, but a variety of headdresses and jewelry among the people at court seem to hint at several cultures (some echoing vaguely African and South Asian styles) within this fantasy world. The palm trees that decorate the court also indicate this isn’t meant to be set in the Europe we know.
While both the princess and maiden are equally active in playing games, wielding swords, and riding dragons, the maiden usually favors pants and the princess wears dresses, a nice nod to varieties of gender expression. The princess also seems to have an interest in astronomy, which gives the book bonus points from me for showcasing women in STEM and science in a pre-modern world. (I studied medieval science in graduate school, as happens.) The maiden’s pet dragon, who appears without dialogue in many scenes, adds an extra touch of whimsy.
I also like that the two women don’t rush to be wed. After the ball, they “filled their days together” and “faced adventure head-on” until “the day finally came” for them to marry. I’ve always worried that the “love at first sight and immediate marriage” trope of many a fairy tale (queer or not) gives children unrealistic expectations about relationships. The pace here seems much more prudent, without bogging down the narration.
This is a welcome addition to the genre of LGBTQ-inclusive fairy tales and to books about strong women in control of their lives and loves.
