Part of a series of early chapter book biographies from the publisher, the book is geared towards newly independent readers and thus fairly simple and straightforward, but covers the highlights of Ailey’s life well, with bold illustrations enhancing the narrative.
The book takes us from Alvin’s childhood in Texas and California to his discovery of dance at one of the first integrated dance companies. He knew, the book tells us, that Black dancers weren’t welcome at all companies, nor were “LGBTQ dancers, like himself.” That’s a little bit of an anachronism, as the term “LGBTQ” wasn’t in use at the time, and he probably would have referred to himself as “gay,” not “LGBTQ,” but the general idea comes across.
We learn about his rising career, from director of the company to founder of his own company in New York City, where he wanted to highlight Black dancers and “tell important stories of history and heritage.” The book gives us brief synopses of two of his works.
A call-out box titled “Coming Out” also says that he “kept one part of his life very private,” and that while some people come out, others, like Alvin, don’t—but it never tells readers what exactly this part of his life was! Adult readers will know it refers to his gay identity, but younger ones may not make the connection.
The book goes on to describe the success of his dance company, his many honors, and his death from complications of HIV/AIDS, a disease that “hurt and killed many people in the LGBTQ community.” Although a simplified version of his achievements, the book effectively conveys his belief that dance can tell stories and that dance is for everyone.
Backmatter includes a timeline, glossary, discussion questions, and suggested activity (creating a dance to your favorite song, then teaching or performing it for friends or family).
