In this standalone sequel to Lo Simpson Starts a Revolution, author Melanie Florence continues the story of friends Lo and Jazz, this time from Jazz’s perspective. Jazz is now one of her school’s popular “It Girls.” That meant leaving behind her best friend Lo, a decision Jazz is beginning to regret. The popular clique is focused on dating (and dieting), but Jazz isn’t interested in any of the boys in their class. In fact, it is her history project partner Ren who sets off butterflies in Jazz’s stomach. Ren’s dyed hair, mostly black clothing, and choices in music are most definitely not “It Girl” material.
Not only that, but Jazz’s mother left her dad for her yoga instructor. Jazz and her father are working out their new normal, and Jazz is seeing a therapist to process her feelings of anger and abandonment. Jazz thought that being an It Girl would give her an anchor, but she’s feeling more at sea than ever.
Complicating things further is a major spoiler, but one likely relevant to readers of this review. I’ll write it in white on white below; click and drag if you want to view.
Jazz’s mom’s new partner is another woman. Jazz has known other queer people and isn’t opposed to queerness per se, but wonders how she can allow herself to be queer (bi, as she comes to realize), since her mother’s coming out tore apart their family. What would it do to her dad if he knew? And how can she continue to be mad at her mom if she’s just like her?
The short, dialog-heavy chapters are interspersed with Jazz’s diary entries, framed as letters to her mother. The tone is light and lively, even as author Melanie Florence thoughtfully explores Jazz’s evolving relationships with Ren, Lo, and her mother, and her navigation of whether being popular is the same as belonging. Various characters’ love of K-Pop and grunge music add extra interest for fans of those genres, but no knowledge of them is necessary to enjoy this recommended tale.
Jazz is Black. Ren is Japanese American.
