ABC’s Modern Family ended this week after 11 seasons. When it premiered in 2009, during the height of the marriage equality battle in the U.S., the two gay dads in its ensemble cast gave many viewers their first positive, ongoing, on-screen images of same-sex parents.
A recent episode of Disney Junior’s animated series T.O.T.S.—a sweet show about friends and families—included a two-mom couple.
The Academy Award-winning songwriters behind Disney’s Frozen announced recently that they are working on Universal Pictures’ movie musical adaptation of The Prince and the Dressmaker, Jen Wang’s award-winning graphic novel about a genderqueer prince. And 20th Century Fox is adapting the Goldie Vance comic series, which stars a queer protagonist, into a film—making this a good time to assess the state of LGBTQ representation in children’s film and television.
A new television reboot of the children’s show Clifford the Big Red Dog includes a two-mom family (with a lesbian actor voicing one of the moms). How did this news break? Not because of any outreach to the LGBTQ community on the part of the show, but because a hate group is calling on its members to speak out against it.
The songwriters behind Disney’s Frozen have announced their next project will be the movie musical adaptation of an award-winning graphic novel about a genderqueer prince.
The upcoming Disney Pixar film Onward will include the studio’s first queer character to have dialogue (though not its first queer character).
How did the parenting storylines on The L Word: Generation Q compare to those in the original groundbreaking queer television drama, The L Word, and what do the parenting storylines of both series tell us about the changing representation of LGBTQ parents?
You may already have seen RuPaul’s skit on last week’s Saturday Night Live, in which he critiques children’s books like the drag queens critique each other on RuPaul’s Drag Race—but did you catch all of the real, contemporary LGBTQ-inclusive young adult books on the shelves of the set?
Yes, lesbian mom Bette Porter may have lost her campaign for mayor of Los Angeles on Showtime’s The L Word: Generation Q—but at least we now have lesbian mom Abigail “Tommy” Thomas helping to lead the City of Angels on our screens.
The season finale of The L Word: Generation Q included a game-changer for Shane and Quiara; some lovely moments between Bette and Angie, and wisdom from a guest of Alice.
